Marcia Aldrich

//Marcia Aldrich

Marcia Aldrich

Marcia Aldrich

Houses of Detention
My parents thought of college as a witness protection program where I would be given a new identity. When they picked Wells for my college education, they said to themselves, It will be safe. Above all else, it will be safe. Inside its walls, I would be protected and stay out of trouble. The campus was remote and populated only by girls, a cloister buffered from the social and political turmoil that roiled cities and other campuses. At Wells, girls lived with girls in hallowed halls with curfews, and bells chimed us to dinner. Every weekday afternoon at 3:30 p.m., faculty and students convened in Macmillan Hall over tea poured from silver pots into real china teacups and stirred with decorative spoons. Freshly baked cookies lay invitingly on china plates. In the outside world, protestors clashed with police, cities burned, the winds and snows raged, while we inside Wells were cozy and cosseted.
 
            But nothing keeps us safe from change. I would find trouble wherever I went.
                                                                                                              ***
            On the weekend, boys from neighboring colleges rolled through Aurora—that’s what it was called—on the prowl for girls. The town was thick with them. Though well out of the cattle calls that were called mixers where my classmates lined up in their heels and the boys assessed them, I was vulnerable to being picked off by more sophisticated men—the faculty. For that temptation, I was unprepared. They were worldly and experienced, at least that is what I imagined. The girls around me thought I had my head screwed on tight, but only because they didn’t see that my guard was down with older men, who seemed to know what life was, who wouldn’t rush me or paw me, who would let me stand my ground.
            The faculty of Wells was almost entirely male, and they were not harmless. Some were bedazzled by their sweet young students. The Department of English had one female member, who was reaching the end of her career. She fit the profile of the women teachers at my high school: never married and isolated from the professorial culture around her. I knew nothing of her private life—she taught her classes during the day and then went home to her lodgings, the former tearoom at the Jedediah Morgan house in Aurora.
            The ingredients for affairs between faculty and students were complete. The faculty had freedom of movement and action. They lived on the isolated shore of remote Lake Cayuga or commuted from Ithaca, about thirty miles away. For the greater part of the day, students were alone with professors, our learned betters. When my sister attended Wells a decade before me, faculty-student relationships were curtailed by an unwritten understanding. But the sixties and seventies had washed away barriers of many kinds.
            I hadn’t confided in a single person about my flirtation with G. I had been judged solitary, someone who prowled the campus alone, followed her own schedule, and did not require a companion. My established aloofness granted me freedom, and I wasn’t used to accounting for my whereabouts. An hour here and there with G. in his office late in the afternoon or evening slipped everyone’s notice. G. himself enjoyed an arrangement with his wife and family that seemed enviable. They didn’t expect all of his time. He was his own man, free to spend an evening away from home while his wife managed his large family and household. His office was his sanctuary—they didn’t intrude. If missing dinner caused difficulties, he didn’t mention them to me.
            We flirted in plain sight. No one noticed, or no one cared. Maybe those who saw our friendship deemed it a simple case of the parental professor advising his young student. Or maybe the faculty turned a blind eye to what they intuited. Perhaps it was none of their business, the coin of the academic realm. The boundaries between professional role and personal feeling were blurred—an unadvertised perk of the job.
                                                                                                      ***
            My first semester I signed up for Introduction to Economics, Introduction to Sociology, the required freshman English, a biology course to begin the science requirements, and French for the language. The most promising was the introduction to literary studies, a class of fifteen students in which we practiced our compositional skills. The college had put together a reading list for the course that injected relevance—that was the watchword—into the classroom. Here, Wells was in tune with a national trend. In other schools, the demand for relevance issued from students, but at Wells, the push came from the faculty. They thought they’d shake us up, make us think in ways we had never thought before.
            The readings included Native Son by Richard Wright, Dutchman by Amiri Baraka, and Soul on Ice by Eldridge Cleaver, three studies of young black manhood, white women, and the violence that can ensue when they make contact. Dutchman, a stylized and charged drama, concerns a white woman who seduces a black male and authors his demise. She is an angel of death, preying upon susceptible men who step into her web on the subway. Bigger Thomas, the protagonist of Native Son, kills a young white woman and is thus brought to his own end. Soul on Ice was written while Cleaver was serving a sentence in Folsom Prison for rape and assault. Published in 1968, it was not only new but incendiary. It describes white women as objects of black plunder rightly taken to compensate for a historic wrong—the rape of white women as a revolutionary act. At least, that is the theory Cleaver attributes to his younger self.
            And what about us, the students? We were docile and meek, or perhaps overwhelmed. We entered strange, unsettling territory in these books, seeing ourselves portrayed as both the object of black men’s desire and the instrument of their degradation and death. Young white girls from largely sheltered homes, we read a memoir about black rage by a man who confessed to raping white women as a political act he felt entitled to. On the one hand, Wells presented itself as a sheltering educational institution, and yet, it wanted to let the real world of inequality in. Who were we? Were we privileged girls in need of shelter? Or were we willfully ignorant privileged girls who needed to be awakened from our dream of shelter? Something should have happened as we read Soul on Ic
e
. We should have been confused about how the world saw us, we should have been all messed up, and yet the emotional effects were nullified. Having been portrayed as a bargaining chip in the war between the races, we walked out of the classroom and into the tearoom.
            I floundered in my encounter with Soul on Ice; I couldn’t process the world it portrayed, so far from anything I had as yet experienced. I kept my turmoil to myself, having no outlet in or outside the class to voice it. Perhaps I did the best I could. Perhaps the professor did the best he could. I was an indifferent student my first semester, coasting on my rigorous high school training, and I drifted away during class, gazing out of the windows to watch the leaves swirl and fall. I couldn’t catch hold of anything in the classroom.
                                                                                                         ***
            The previous year, Wells had switched to the 4-1-4 semester system, a new schedule popular with private colleges, another response to the demand for relevance. In the fall and spring we took four courses, although I took an overload in the fall, and between these two semesters had an interim experience, a single intensive course of three weeks in the winter. I signed up for a class taught by G. called Urban Confrontation, thinking I might encounter the real thing I was looking for. At the same time, I was hoping to spend more time with my professor, to make inroads there. My real subject of study was him, or the attraction between us, the forbidden. The name of the course suggested that we would experience the urban as a disturbance, not slip into it like hand in glove. We would have a bracing encounter with the real. We would leave our clean, safe, private college set in the isolated backwoods of upper New York and journey into the urban heart of darkness. Perhaps in New York City, some of my turmoil would sort itself out.
            I had convinced my friend Joey to sign up for Urban Confrontation as well, and in January 1971, I put on my striped bell-bottom jeans, fringed buckskin jacket, and cowboy boots and climbed onto a chartered bus with Professor G., Joey, and the other students for the trip from Aurora to New York City, which took seven hours on the snowy roads. We were deposited at the YMCA on East Forty-Seventh Street near Grand Central, with easy access to subway lines. The Y rented out single rooms with shared bath facilities at budget rates. It was shabby and rundown, seedy, gritty, sour smelling—words that fit the surrounding environment as well.
            I hauled my duffel bag to our assigned rooms on two of the higher floors, down narrow dark hallways running this way and that, lit by one red bulb, with green or gray linoleum floors—​​grime, if the color were rightly named—and gray walls I didn’t want to touch. My room was next to G.’s at the far end of one of the long halls. The other girls were housed one floor down, with a few scattered on our floor along one of the other halls. G. was the author of this design—he had concocted the chance for something to happen between us. Our rooms looked out onto a busy street always lit by neon signs, a few blinking on and off. A single bed, really a cot, ran the length of the room, directly to the left of the door. My head would rest a few inches from the doorknob. A narrow space, just wide enough to walk, separated the bed from the bank of windows and the radiator below them. The bed linens were scratchy and stiff, as were the gray army blanket and the flat pillow.
            A distance of a few feet separated my doorway from G.’s room, where his narrow bed spanned the opposite side of the same wall as mine. Unpacking my bag, I could hear him shuffling around, hear him breathing if I tried hard to listen. His nearness and our distance from Aurora tightened my feelings and fantasies. Who would speak to the other first? Would I bump into him when I went to the bathroom to brush my teeth? Would he knock on my door to ask me how I was getting on?
            He did knock on my door. It began, the something I was hoping would begin, or at least the tease of its possibility. He stood in the doorway, one arm resting on the doorjamb, handsome and ruddy in his dark shirt with western piping, his dark beard trimmed and dense, hair lighter and softer. I felt as if I were wearing an electrified skin that was now switched on, a costume for a restless dance of indecision. We talked about the bus trip, our schedule and New York, the YMCA. I looked at his room in turn. He tormented and thrilled me, playing the role of the forbidden.
            My emotions were never of a piece, never one thing. And neither were his. Our choreography was one step forward and two steps back. Come here, and then, No we can’t. We can’t, but I want you. I don’t want to lose you or let anyone else have you, but I can’t have you. It was an affair of desires unfulfilled, of the thrills and pain of stepping close to one another, only to step back and resume our position. I was not so bold as to cross forbidden zones, and neither was he. We mirrored each other in our desires and caution and could not meet somewhere between.
            These charged and stylized steps had no outward sign. A witness giving testimony to our dance that night would have said, He stood there, and they talked. And then she looked at his room, and they talked some more, and then she went back to her room and sat on the bed.
            About that bed: we had been warned that the management was having no success in eradicating an infestation of bedbugs, which hid during the day in the seams of pillows and mattresses that were too expensive to throw out and replace. At night, the bugs came out to feed on human blood. The first night, I lay awake scratching, my skin crawling with something I couldn’t kill. In the morning, my sheets had smears of blood. During our week in New York, the feeling of being bitten never went away—the sojourn was a sleepless one, or intermittingly so.
            We spent the days in New York visiting gritty places like the Women’s House of Detention, an educational field trip that briefly exposed us to women imprisoned for crimes like drug trafficking and burglary that we Wells girls congratulated ourselves we would never commit. Built in 1932 on West Tenth Street in the middle of Greenwich Village, the “House of D” had hosted famous inmates from Ethel Rosenberg to Angela Davis, but the bulk of the population now were prostitutes. The prison was on the verge of closure because of overcrowding, inadequate bathroom facilities, and assaults on inmates by the medical staff.
            Picture a line of girls wearing their Bonwit Teller winter best being led by a bearded professor into a prison of mostly black women, some of whom had been punched in the mouth enough to lose their teeth. The inmates, many no older than we were, lay in cots in crowded cells, wearing faded garb. If they had any privacy before our inspection, we took it away. We knew we didn’t belong there, and the idea was
to pass through as fast as possible and get back to who we were. Little had made us aware of our privileged status. Our protection had been so complete that we were the last to know where we stood on the economic spectrum, the gifts our fortunate births bestowed. Few of us had considered how others would see us. Even reading Soul on Ice hadn’t lifted our ignorance. Our place went unspoken, was unspeakable at Wells.
            And yet, something of the truth had been absorbed, I felt. Where was I among these two groups of women on opposite sides of the bars? I didn’t want to inspect the inmates as if they were exhibits in a museum of degradation and disorder. I hung back, trying to make myself a straggler not associated with the other visitors. I wanted to hold myself apart from the well-dressed flock of girls who looked abashed. I tried to imagine myself detained in the House of D. I might go down a criminal road and be arrested. After all, I had been involved with a drug dealer, and I might get into political activities that would be unlawful. For my fellow classmates, such a fate was unimaginable.
            But no matter how far I lagged behind them, nothing would change the side of the bars on which I stood.
            I caught one woman’s eye as we hurried down a corridor. She was in a narrow cell, standing, half turned away, wiry with her prison outfit slack upon her frame, her hair coarse and unruly, her eyes acute. As I passed, she turned and looked at me. How old was she? She seemed to be in her mid-thirties but might have been fifteen years younger. Her eyes said to me, What are you looking at white girl. We are not related. You belong with those girls you come with.
            After the outing to the House of D and a delightful lunch, the Wellsians would hit the art museums uptown in the afternoon, maybe do a little shopping or take a horse-and-buggy ride around Central Park. Back at the YMCA, girls tumbled out of taxis, struggling with bags from Lord & Taylor and Saks Fifth Avenue. At night, tickets had been purchased for Broadway plays.
                                                                                                        ***
            After our first days in New York, my classmates began to skip some of the visits to sites that G. had arranged for us. On a midweek afternoon, Joey and I were the only two students who got ourselves out to the South Bronx to meet G. and observe a methadone clinic, a promising new effort to address the heroin epidemic in New York City. Nervous about finding the right train, we took the subway from Grand Central, reached the correct stop, and climbed the steps out of the station. At the top, we entered a destroyed world, harsh and repellent. The crumbled buildings with boarded-up doors and glassless ports were frightening. We walked on chipped and cratered sidewalks past abandoned cars, fractured bottles, littered needles, and mounded filth. We saw no one like ourselves. The sort of person we were had vanished from the crowds at the subway stations on the outbound journey.
            Despite the desolation of the streets, the clinic itself was bustling. In Richard Nixon’s ten-point plan for reducing illegal drug use, announced in 1969, New York City had been cited as the worst case in the country. The Young Lords and the Black Panthers had converged to provide social services in Harlem and the South Bronx, as well as security for the treatment clinics. G. had arranged for a talk on heroin addiction and on methadone programs as a remedy. Because methadone dispensed through clinics was a new form of treatment, the professional staff and community volunteers knew they were engaged in a therapeutic and social experiment that would be intensely studied. They had brochures ready to hand out to visitors and talks prepared. The director had gone to some trouble to clear his schedule, and the three of us who showed up were embarrassed by our meager turnout.
            The clinic was both familiar and unfamiliar—familiar in the sense that all such medical places need to buffer patients who must bide their time. The addicts checked in, found a chair to sit in, and selected a magazine to read or sat empty-handed in a slump. The walls were painted a sub-lucent color that was both calming and unnamable, but the room was roughly maintained, not prim like the doctor’s offices I was accustomed to. The staff was professional and competent, making steady efforts to repel the ruin outside the clinic walls and assist their patients. Most of the addicts were black men, though not all of them looked so battered as I expected. Inside the clinic proper, they gulped the liquid dose of methadone fast from a small paper cup and then threw it into a trash receptacle.
            Amid the bustle of the clinic was a man in his thirties who seemed not to belong there but in another setting. A statuesque figure of great polish, he was immaculately draped in a full-length camel hair double-breasted coat and wore a superfly fedora with a peacock feather in the band. As we toured the space, he seemed the still center around which everything swirled, neither medical professional nor frazzled addict come for his daily cup of methadone. No one else who visited the clinic was doing well in life, but this person seemed to command his destiny. That’s what I saw—a striking man in charge.
            After our brief tour, he approached us and introduced himself. His name was Rene. He was a community activist, we learned, who provided services to the clinic. He seemed to be there to check on its security needs and determine whether his organization was fulfilling its responsibilities. Joey and I explained ourselves and our visit, Wells College and the Urban Confrontation class. I felt a twinge of embarrassment at the absurdity of studying urban confrontation at a private girls college, but we presented ourselves as sincere, open, trying to learn, to encounter the real.
            When you meet someone decidedly not like you, your nature is called into question. Rene was abundantly not like me, not like anyone I had ever seen, met, or known. He unsettled my very life. What was I doing at the clinic? What was I doing in college? How could I frame myself to this man? I looked utterly out of place, yet he seemed to know me, my type. I wasn’t an oddity he had never observed. His insight into me made our encounter unbalanced, because he was a figure I never before had met.
            While Joey and I talked on with Rene, G. headed back to the YMCA to find out what had become of his other charges. The director of the clinic rejoined us, seeming concerned about what Rene was up to. It occurred to me that his motivations might be other than friendly curiosity about young visitors to a clinic that treated addiction. Yet he seemed legitimate in his service to the methadone program. I wondered whether he thought we had money to give to the cause. But it seemed unlikely he would so mistake us—I was a seventeen-year-old girl with wild hair held down by a bandana, wearing bell-bottoms and a buckskin jacket.
            He asked if we
wanted to continue our conversation at his apartment in Harlem, and we said yes. I was in New York City trying to learn something, to put myself in a position to learn. There were limits to what I might see if I stuck to a scripted plan. I needed to seize my opportunities. Besides, Joey and I had each other, and that emboldened us. So we followed Rene back to the subway station and took the train to Harlem.
            At a stop en route, a woman accompanied by two young boys boarded our car. She knew Rene. In fact, she was his wife, or his ex-wife, or maybe just the mother of his children. She was a perfect match for him—beautiful, elegantly dressed, self-possessed. She betrayed no surprise that he should have two girls like Joey and me in tow. She no longer lived with him, Rene offered, and yet they seemed on friendly terms. I didn’t know what to make of it. All the divorces in my experience were acrimonious scandals. The woman and her sons got off the train before Rene’s stop, and we traveled on.
            Rene’s apartment wasn’t actually his but belonged to a man who was traveling in Cuba. We descended steps from the street to the garden level and entered through a door reinforced with thick metal bars. The one window was defended in the same way. The apartment had hardwood floors and a brick exterior wall, with one bedroom. Joey and I sat together on a soft couch in tan suede, and Rene sat on a matching couch opposite, with a coffee table between us. Rene and I smoked and talked, while Joey stayed quiet, a spectator to the action that was unfolding. She seemed skeptical, resistant to Rene, as if he were trying to sell her something overpriced that she didn’t need. He had his hand in a lot of action, we found out, and was associated in a murky way with the Black Panthers.
            After our talk, we arranged to come back the next night, our last in the city, and to bring G. with us. I was dimly aware that I was playing a game. G. had talked to Rene at the clinic, noticed that Rene sought us out. Did G. realize that his decision to take us away from Wells would mean confronting the limits of our knowledge? Finally the confrontation would be personal. Maybe a gauntlet was thrown down, and he had to respond. In any case, G. took the bait, and late in the afternoon of the next day, he came to Rene’s apartment with Joey and me, and the four of us sat down on the two suede couches, facing off. Rene provided beers.
            G. and Rene did most of the talking, Rene performing a macho one-upmanship in which he proved that, when it came to urban confrontation, he had the goods. G. seemed out of his depth, or unwilling to engage. When the conversation turned to the issue of violence as a tactic, Rene jumped up from the couch, walked over to the wall, and pulled away a section of plaster, revealing a secret compartment. Lined up between the wooden studs were a half dozen rifles. Rene grabbed one and returned to his spot on the couch, resting the weapon across his legs with the muzzle pointing toward the wall. I knew virtually nothing about guns, but the magazine that curved down from the stock like a cockfighting spur told me it was not a deer rifle. I realized that Rene was putting on a show.
            The guns brought the get-together to a halt. Joey soon departed, since tonight was her last chance to see Fiddler on the Roof, and G. followed her. You should leave with me, he urged. I declined.
            I didn’t know Rene, and I had no skills with which to know him. I couldn’t assess his honesty, his motivations, the story he told. I was lost with Rene. Everything about him might be false, and trusting him would be absurd. I stayed not because I trusted him, not because I put my faith in him, but because I couldn’t trust him. I was trying to rid myself of my proper training, my deep reserve. I didn’t want to be afraid—afraid of Rene’s blackness. Here was life without a wrapper, a confrontation with the real. I stayed for something first suggested by Soul on Ice, though I wasn’t aware of it at any conscious level. I didn’t want my wealthy white girlhood to define me. With Rene, the table of good fortune was turned upside down. With him, all my privileges were nullified. They did not give me the upper hand. In fact, I felt them working against me.
            We drank more beers and smoked dope. I couldn’t hold my own with him, and I generally lost control. He perceived soon enough that I wasn’t truly reckless, not as reckless as I pretended to be. His tone changed, and he became disdainful. He goaded me, saying I looked like Janis Joplin but was no Janis Joplin. Perhaps he was right. I looked the part of a risk taker, dressed the part, but I was someone else less daring.
            We had sex. We both expected it. I’d be lying if I said I was surprised when he moved toward me with clear intent. That is what I thought would happen if I stayed. Isn’t that why I stayed? And wasn’t that why I brought my professor along—to witness the sexual encounter that would follow? Not witness, but know that when he left, sex is what I would do. Yet he departed, walked away, and left me to Rene.
            Rene was seasoned, confident, experienced. I was attracted to him because of his experience, and he was attracted to me because of my inexperience and youth. He was the teacher, the guide, and I the fumbling student. He ordered me about, and I did what he said. I never told him what I wanted or thought about what I wanted or needed. There were no sentimentalities, sweet nothings in my ear. It was hard labor, strenuous, physically exhausting, and left me shaking and wanting no more. I took many positions, and there were acts I didn’t know existed. It was rough and it was unprotected. I had wanted him to give life to me, that thing I hungered for. He must have life, I thought, but when he was inside me, I did not feel I had been given life. There was just more waiting, waiting until it was done, tense, untouched, enduring for it to be over.
            Afterward I took a bath in the bear-clawed bathtub, trying to wash away my feelings. I had wanted this sex in some misguided idea that I needed it—that I needed someone to be rough with me, to strip away the pretty trappings of sex and give it to me unvarnished. To take the is it right or is it wrong out of sex, to take the knowing out of it, the thinking. Maybe all the feeling, too. 
            The sex had been consensual. I sent signals to Rene that he acted upon—I just didn’t know how vulnerable I’d be, how powerless, how I wouldn’t want what this sex was. It wasn’t a fantasy of spontaneous desire between two strangers, without complication or consequence. Our sex was commitment free, but it wasn’t free. We had planned it since we sized each other up across the wide lobby of the methadone clinic. I wanted to be cool and confident, to behave as if I knew what I was doing and was unafraid—that’s who I wanted to be, and the only way I could imagine becoming that girl was to throw myself into the fire. I should have seen I was overmatched and that I was sure to be burned. In the end, he had the upper hand, the experience and the power. I was served a comeuppance, one I had coming. It didn’t escape my notice that I had had sex with a black man, not just any black man, but an angry black revolutionary with a stash of guns, the kind of man I had read about in bo
oks. Maybe that’s what I had been planning. 
            Watching me get dressed, Rene said again, to wound me, that I was no Janis Joplin. I had been wrong about him at the clinic. He did not know my type after all, I realized, only an image of someone wild and free he had mistaken me for. He now saw I was the privileged white girl dressed up in a costume. I did not transcend my real role. Our sex had confirmed, not destroyed it.
            It was the middle of the night, past three o’clock, and Rene told me it was time to leave. He didn’t push me out the door, spinning me over the threshold, but he might as well have. He didn’t put his clothes back on, just pointed the way out. He didn’t care how I got back to the YMCA. He had gotten what he wanted and was through with me. He had fucked me in all the relevant ways.
            I climbed the stairs to the sidewalk and stood for a minute, looking left and right. No taxis cruised the agate streets, no buses chugged to a stop. The street was nearly black, and no one was about. I didn’t know which direction to go to reach the subway, how often it ran, or whether it was safe at this hour. I might be in more danger waiting underground for a train than walking back to the Y.
            I set off on the left side of the street in what might be the direction of Midtown. I hugged tight to the face of the buildings and hurried through intersections where I might be spotted. If I could blend in with the landscape, that was my best chance. Snow began to fall, reflecting the weak light and melting the dark shadows that protected me.
            After a few minutes, a black VW bug began to trail me, speeding up when I sped up, slowing down when I slowed down. We covered a few blocks in this fashion, the dark car following me at a fixed distance. I saw no police car, no pedestrian, no human being. The VW veered over to my side of the street, pulled even with me, and edged in close to the curb. I hung back as far as I could, hiding in a doorway’s shadow.
            The window rolled down. The driver leaned his dark head out and said, “Do you want a ride?”
            No.
            He didn’t drive off, and I didn’t move. I couldn’t move. It had been pounded into me: Fear the stranger. Don’t get into a stranger’s car.
            “You aren’t safe, you know.”
            No, I was not safe. I hadn’t been safe for quite a while.
            His manner was soft, not forceful. His voice was calm and mild, almost matter-of-fact. He didn’t plead with me to climb into his car or try to frighten me or get out of his vehicle. He stayed inside it, but he didn’t drive on. I stood still and did not move. I was so worn out, so exhausted. I was lost on a dark street in Harlem at four in the morning with the snow falling. What else can happen to me? I resigned myself to my fate. I emerged from the shadows and circled around to the passenger side. The man pushed open the door, and I got in.
            He was young, in his twenties. He wore black leather gloves and black, thick-framed glasses. The car’s heater was blasting, and the interior felt dizzyingly warm. He had a red-and-black plaid throw blanket spread over his lap and tucked under his legs. He has a gun under the blanket, or a knife.
            He was driving to work, he said, and he asked where was I going. When I mentioned the YMCA, he gave me a puzzled look and shook his head. “You are a long ways from there.”
            We didn’t say much as he moved off through the vacant streets that were filling with snow. The heater’s fan was blowing loudly, and the wipers swiped back and forth, shifting white patches from one side of the windshield to the other. His black-gloved hands stayed on the wheel, the blanket over his legs.
            I didn’t cry when Rene pushed me out, I didn’t cry when I pressed against the buildings to disguise myself, and I didn’t cry when this man rolled down his window. I felt tears inside me. Why didn’t I just cry? That’s what girls do, don’t they? When there’s no one to protect them, when they have been stupid and no one is going to rescue them?
            And then we were at the Y. I thanked the stranger, got out of his car, and walked into the lobby. I took the elevator up to my floor, found my room, and inserted the key into the lock.
            G. yanked open the door next to me and asked in a rattled voice, “Where have you been?”
            I couldn’t begin to answer.
                                                                                                    ***
            Urban Confrontation ended in January, and the next semester began in early February.
            On a cold evening with the snow drifting in blinding swirls, I was fetched by one of the girls on my floor for a telephone call. I raced to the phone booth, as we did in those days. Nothing had prepared me for the voice on the other end. It was Rene. I don’t how he got my number—maybe he just called the Wells operator and asked for Marcia.
            He was in trouble—not surprising given the guns he was hiding and other intimations of the life he was living. He needed to get away from New York City to hide out. Could he come to me? To Wells College in Aurora, 250 miles north of Harlem. He knew nothing of what he was asking. Was I to hide him under my bed? Men were not allowed overnight at Wells, and all visitors had to sign in for the duration of their stay. Since hiding him out was a no-go, he had a second request—could I wire him money? I had not been wrong at the clinic when I sensed I was a mark, someone who might come in handy. He didn’t know that I had no money of my own, that I was living on my father’s dime.
            The conversation was short, and I hung up.
            He called a few more times, but I refused to come to the phone. If I was off the dorm floor when he called, one of the girls took a message and tacked it to my door. I ripped these notes down, tore them into little pieces. Had he forgotten that he spun me out the door and into the snow, as if the only thing to do with trash is throw it away? The bars of a house of detention had risen between us, and I had returned to the side where I began.

Marcia Aldrich is the author
of the free memoir Girl Rearing, published by W.W. Norton.  She has been the editor of Fourth Genre: Explorations in Nonfiction. Companion to an Untold Story won the AWP Award in Creative Nonfiction. She is at work on Haze, a narrative of marriage and divorce during her college years. She is editing Waveform: Twenty-First-Century Essays by Women to be published by The University of Georgia Press.



























































By |2018-12-05T15:23:34+00:00December 5th, 2018|Uncategorized|0 Comments

About the Author:

Leave A Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: