Fall 2024

POETRY

Tamar Ashdot, dermal delta

Andrea L. Hackbarth, from eulogy (redacted)

Matthew Moniz, Cold Open

Eric Odynocki, Dear & Ineffable

TR Poulson, 573992

Hannah Smith, Funnel Cloud

Cassandra Whitaker, Church Ice Cream Social In July or The Summer I Awoke

Leslie Williams, Blake

ESSAYS

Annie Crouch, Arkansas

Rebecca Holcomb, Rainbow Club

Alison Powell, A Reluctant Inventory: Six Lots to be Sold After My Mother Died


REVIEWS

Brian Czyzyk reviews Pentimento by Joshua Garcia

Jean Wolff has had group and solo exhibits in various galleries in New York City and internationally. In addition, she has published 154 works in 105 issues of 61 magazines. Born in Detroit, Michigan, she studied fine arts at the Center for Creative Studies in Detroit and at the University of Michigan in Ann Arbor, receiving a BFA in studio arts. She then attended Hunter College, CUNY in New York, graduating with an MFA in painting and printmaking. She is now part of the artistic community of Westbeth in Manhattan.

Artist Statement: My practice involves the creation of subtle order through the use of strong patterns, grids and geometries. I create a visual language through an ongoing process of exploration and experimentation. The work is built on an evolving set of interrelations, rather than just a system of theme and variations. The latest series of works is a return to earlier compositions and themes, rather than moving away from the immediately preceding body of work and is an integration of the processes acquired during those investigations.

The “Pentimenti” series is so named as it began by the act of painting over existing canvases where the circular geometry was a part of the older works. Pentimenti, by definition means, “a visible trace of an earlier painting beneath a layer or layers of paint on a canvas.” In essence these paintings are picking up from an earlier series, but with a renewed interest in surface and scale and that includes a fuller color palette. Previous works were much more reductive and the use of color was intentionally restricted. There still exists a hint of the grid in the intersection of the circles on the canvas plane when the circles are cropped off.

The launch into the “Pentimenti” series began right after a trip to Greece. At night, there’s little ambient light (or light pollution), so that it is clear enough to see a plethora of constellations and planets. The sky becomes an amazingly wide canvas. Connection to the elements has a new primacy for me, and a simplicity that subconsciously became part of the new visual language in this body of work.

Top Gallery (left to right): Waning Moon, Trio, MultiCelestial Excursion

Bottom Gallery (left to right): Postcard 2, Small La Poupee Vert, Totem Study 3, White Bokeh, Bokeh, Small Celestial Excursion, Celestial Excursion