Zoe Boyer

On Belonging

Heat upstairs like a second skin, I throw the windows open,
air chilled by a shaved-ice sliver of moon, string-section wail

of crickets quavering from the junipers, but the rodeo is loud,
bullhorn shout and twang echoing over the mountains,

rooting for cowboys through each buck and fall, bulls
begging for grass-soft pasture, night’s blue calm.

I have wrestled with belonging, unwanted, haunted by
antlered heads pleading from store windows, Confederate flags

blazing from truck grilles, swastikas painted beneath the bridge
while the creek carries on plucking its siren song from

flow-worn frets of granite. But the Arizona mountain kingsnake
striped white and red; white wave of prickly poppies

in monsoon wind; red hourglass of the black widow’s
sleek abdomen—this is the nation to which I pledge allegiance,

to which I’ve given every piece of myself, liquescing into
the creek’s fetid waters, hurling my body like any old bone

into thickets of scrub oak where deer ribs and rabbits’ feet
glow pale as bindweed. I want to leave my heart in the dust

beneath a prickly pear where it might be mistaken for
overripe fruit, carried off by coyotes to the luminous crag

of Quartz Mountain. This is the high desert’s trick:
even as speakers crackle, crowd howling approval

of a bull stoked to mad-eyed throes of torment,
a resinous breeze wafts sweetly from the ponderosas,

the land still offering up its beauty like a magician
pulling furled white silks of datura from its sleeves.

Zoe Boyer was raised on the shore of Lake Michigan. She completed her MA in creative writing among the ponderosas in northern Arizona, and now lives in the Blue Ridge Mountains of North Carolina. Her work has appeared in such publications as The New York Times, Poetry South, Kelp Journal, Plainsongs, RockPaperPoem, West Trade Review, Little Patuxent Review, The Penn Review, and Pleiades, and has been nominated for a Pushcart Prize and Best of the Net.